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That’s right, folks — Harmonix has just revealed that Green Day: Rock Band will be available for all come June 8 on Xbox 360, PS3 and Wii. Up to 6 players (3 mics; 3 instruments) will progress through the career of the trio, unlocking collectible images (more than 100, apparently) and some 40 minutes of “rare and unreleased” footage from interviews, outtakes and performances along the way.

As alluded to above, GD:RB will also sport the same vocal harmonizing feature that made The Beatles: Rock Band such a delight for mic hogs and comes loaded with 47 Green Day tracks, including “Brain Stew,” “Jaded,” “Hitchin’ a Ride,” “American Idiot,” “Wake Me Up When September Ends” and “Boulevard of Broken Dreams.”

Oh, and if you’re looking to export these tunes, worry not: all 47 tracks are fully exportable to a console hard drive and playable in Rock Band, Rock Band 2 and the recently announced Rock Band 3. The export fee is $9.99 via Xbox Live or PSN. The export features is not available for the Wii system. Additionally, if you’ve picked up the six Green Day tunes already available as DLC, you can play them in the new game with added harmonies, “unique” visuals and more “exclusive archival material.”

Green Day: Rock Band will be available as a standalone game for Xbox 360 and PS3 for $59.99, while Wii owners will get a bit of a price break at $49.99. A special edition Green Day: Rock Band Plus will also come to Xbox 360 and PS3 for $69.99 and includes fancy packaging, an “export” feature (we assume, a voucher to export the disc tracks to the hard drive) and the six previously released Green Day DLC tracks.

Update: The GameStop pre-order bonus for the standalone game is an export voucher (for Xbox 360 or PS3). Essentially, pre-order GD:RB from GameStop, and you can export all 47 tracks to your console hard drive for free.

Green Day: Rock Band releases June 8 worldwide originally appeared on Joystiq on Thu, 11 Mar 2010 09:45:00 EST. Please see our terms for use of feeds.

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Alex Alvarez is one of those people who obsessively played games and constantly doodled in a sketchbook as a kid. He studied art, but with no one career-oriented channel for that creativity, he didn’t find himself making a living as an artist until he stumbled into a job working on comic books. A few years later, he was explaining software to movie studios and eventually opened The Gnomon Workshop, which provides training to artists who are interested in the entertainment industry.

Alvarez recently finished a six-month stint working on James Cameron’s Avatar, and Gnomon just hosted the “Unleashed: The Art of Naughty Dog” art exhibit showing off works by many of the artists from Naughty Dog, several of whom went through classes at Gnomon. In our interview after thee break, Alvarez talks about the expanding reach of video games, looks back at his youth spent playing Ultima and Wizardry, and doles out plenty of advice for budding young artists.

Continue reading Interview: Alex Alvarez of The Gnomon Workshop

Interview: Alex Alvarez of The Gnomon Workshop originally appeared on Joystiq on Thu, 11 Mar 2010 08:00:00 EST. Please see our terms for use of feeds.

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In early 2009, Centerscore co-founder Oliver Miao was assigned an extremely daunting task. His studio had recently been acquired by EA Mobile, and his higher-ups had requested an iPhone version of the studio’s successful teen-dating sim series, Surviving High School. The difficulty didn’t come in developing the title, but rather, in monetizing it.

During his GDC panel titled “Surviving the iPhone: EA’s Original Game Bet,” Miao recounted the different business models Centerscore proposed to EA Mobile for SHS. The initial idea was to sell the game for 99 cents, and then hand out additional weekly “episodes” for free. While this would help build the brand, EA Mobile didn’t anticipate enough return on the investment. It was denied, and Centerscore was sent back to the drawing board.

The second idea was to offer the current episode of the game for free, but charge 99 cents for bundled episodes from previous weeks. This idea was also shot down, and Centerscore’s project was threatened with cancellation. Finally, the two parties came up with a solution that’s proven to be fairly lucrative: give the current episode for free, charge for previous episodes, and offer the next episode in advance for an additional 99 cents — quite an innovative business model.

Of course, Centerscore could have easily raked in the cash by simply charging $500 for one of its first mobile titles, Garfield Bowling. We can’t think of a price we wouldn’t pay for that gem.

GDC: Surviving High School creator talks clever, profitable microtransactions originally appeared on Joystiq on Thu, 11 Mar 2010 07:00:00 EST. Please see our terms for use of feeds.

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EA’s been keen on in-game advertising since 2006, and, two years ago, signed a pretty big deal with in-game ad provider Massive. Apparently, though, EA won’t be re-upping that agreement. As Mediaweek reports, the publisher has instead decided to take it upon itself to coordinate in-game ad sales starting with Madden NFL 11.

Elizabeth Harz from EA’s global media sales division says it’s basically a situation in which EA is cutting out the middle man. “Fundamentally, [EA sales execs] are talking about these gaming audiences everyday already,” meaning that EA is already discussing who’s playing and what products would best target those audiences.On its own, EA can create more diverse and specific advertising packages, with increased ability to personalize packages based on the potential advertisers’ targeted demographic. Exciting stuff, we know.

[Via Game Politics]

EA shifting ad sales in-house starting with Madden NFL 11 originally appeared on Joystiq on Thu, 11 Mar 2010 02:30:00 EST. Please see our terms for use of feeds.

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Unlike the less than wonderful relations some developers are currently having with their publishing partners, Vigil Games‘ general manager David Adams says things between his studio and THQ couldn’t have been better during the development of Darksiders. “We were pretty lucky, just because our publisher had this weird, insane faith in us that I don’t necessarily think any other publisher would have had … our take was that if we just did really cool stuff, people would see that — they’d want to jump on the bandwagon and support us, and THQ did,” Adams tells GamesIndustry.biz in a recent interview.

Adams adds that his studio is constantly “trying to be more efficient, do stuff quicker, using less money,” so that certainly can’t hurt how THQ feels about Vigil, especially given the last year of “restructuring” the publisher underwent to become financially solvent once again. “THQ went through a lot of pain and restructuring — they took a lot of bullets so we could continue to make our game, and that’s a good indication of their faith in us, and their drive to make great-quality products.” We’d like to point out that, in this situation, we’re all winners because THQ has seemingly become a competitive publisher again, due to producing quality products that we get to play — and hey, tons of people don’t lose their jobs.

Darksiders dev David Adams gushes about THQ originally appeared on Joystiq on Thu, 11 Mar 2010 02:00:00 EST. Please see our terms for use of feeds.

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Surprise! Major MMOs cost batty-bonkers-cuckoo amounts of money to produce. Eurogamer reports that Electronic Arts CFO Eric Brown said as much today, describing Star Wars: The Old Republic as the “largest ever development project, period, in the history of the company.” EA is apparently betting big on having something like Activision Blizzard’s World of Warcraft with The Old Republic. Brown guesstimates that WoW cost about $100 million to launch back in 2004 — the game makes something like that now in a month.

The executive explained that the average game costs about $30 million to produce, but that “any MMO costs significantly more than that.” With an expected spring 2011 release, hopefully EA will start making a return at that time on its investment in a galaxy far, far away. Otherwise, the gaping maw of the Rancor would be preferable to what investors will do.

SWTOR is EA’s most expensive project yet originally appeared on Joystiq on Thu, 11 Mar 2010 01:40:00 EST. Please see our terms for use of feeds.

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Click to MOVE into the gallery

We touched it: PlayStation Move from every angle originally appeared on Joystiq on Thu, 11 Mar 2010 01:00:00 EST. Please see our terms for use of feeds.

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The highlight of yesterday’s GDC Serious Game Summit panels focused on an appropriately consequential topic: How games can help protect children from the commonplace dangers they face from predators, both online and off. The panel was led by Child Safety Research and Innovation Center president Allan McCullough — a man who’s strived to develop games which teach young people how to identify and avoid dangerous situations.

The two Flash-based games which represent the fruits of McCullough’s two decades of labor look deceptively simple on the surface. They are, after all, hand-illustrated, poorly animated educational games geared towards children, with budgets too small to allow the hiring of professional voice actors and experienced gaming professionals. However, beneath the crude surface of these games lie clever methods of imparting crucial information to their young players which could ostensibly help them avoid encounters with people who mean them harm.

Continue reading GDC: Making games to prevent violence against children

GDC: Making games to prevent violence against children originally appeared on Joystiq on Thu, 11 Mar 2010 00:00:00 EST. Please see our terms for use of feeds.

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You might think it derisive to call Sports Champions (working title) the Wii Sports of PlayStation Move, but it’s really intended as a compliment. Although the collection of sports-themed games are relatively simple, they adequately highlight the Move’s motion-sensing capabilities and, most importantly, how they’re distinguished from those offered by the Wii (something that another Move game, The Shoot, did not do). Like Wii Sports, Sports Champions seems good at selling you on the hardware’s abilities — and what they might mean in more elaborate games.

The Gladiator game is a simple affair of blocking and attacking (your character moves towards the opponent automatically), but the Move will take into account the height of your swings and the positioning of your shield (generated by a second Move controller). It’ll also sense distance — if you don’t hold your weapon arm back, it’ll swing into your own shield to deleterious effect. Aside from swinging and blocking, you can also move both arms upwards to activate a jumping attack, or shuffle the controllers to the side in order to roll out of the way from an incoming strike. Basic stuff, but natural enough to not come across as a tacked-on gesture.

The Table Tennis game was even more promising, and easily bested the Wii’s equivalent. Your paddle’s angle and area of exposure is almost instantly determined by how you’re holding the controller. The Move’s weight, coupled with the game’s quick response and predictable physics, made every swing feel … just right. It’ll be a shame if a table tennis game turns out to be one of the best launch games for Move, but at least it’ll stand out as one of the best of its ilk. That’s a win, right?

Hands-on: PlayStation Move’s Sports Champions originally appeared on Joystiq on Wed, 10 Mar 2010 23:45:00 EST. Please see our terms for use of feeds.

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